London --:--Start a project

Selected work

Identities, websites and products for 16 companies that move fast.

All 16 projects

Thirty-four designers, writers, strategists, motion designers and engineers in Clerkenwell and Lisbon. Independent since 2013, owned by the people who run it, and never more than ten projects at once.

One studio,two cities.

Anjali walking to the studio along a brick-lined Clerkenwell street with a coffeeTomás unlocking the green door of the Lisbon studio on a tiled streetThe London team at the long table with Lisbon on the wall screen for stand-upTomás laying out cobalt and red colour proofs on the long table in LisbonThe team eating lunch together along the long table in LondonFreya pinning printed screenshots to the audit wall in LondonTomás and a designer reviewing poster proofs at the pin-up wall in LisbonThe London studio after six, one lamp on, St Paul’s at dusk through the window

Why we work this way

Anjali Rao started Orvel in 2013 with two clients and a borrowed room on Great Sutton Street.1 The idea was simple: the identity, the website and the product should be made by the same people, in the same room.

In 2019 Tomás Ferreira opened Lisbon,2 after two seasons of working on Noturna from a café on Rua da Boavista. Same hours, same tools, one team.

Most brands now live on a screen, in motion, before they ever reach print. So we design the moving version first:3 the mark that turns, the page that loads, the screen that confirms a payment. If it holds up there, it holds up everywhere.

We stay small on purpose.4 Never more than ten projects at once, each one run by a partner from the first call to launch.

The people who run it

Thirty-four of us in all: eleven designers, seven engineers, five motion designers, four writers, four producers and three strategists. Every project is led by one of these four, from the first call to launch.

Anjali Rao, Founder and Creative DirectorTomás Ferreira, Design DirectorKayode Adebayo, Motion LeadFreya Lund, Strategy Director
  1. Founder, Creative DirectorLondon

    Founded the studio and still sets the bar on every project. Runs the Thursday reviews in London and signs off every identity before it leaves the building.

    Since
    2013
    Leads
    Kinro, Casa Mareta
    Local time
    --:--
  2. Design DirectorLisbon

    Opened Lisbon in 2019 and leads design across both studios. Builds the systems: the type, the grids, the rules that let a brand run without us.

    Since
    2016
    Leads
    Noturna, Corso
    Local time
    --:--
  3. Motion LeadLondon

    Leads the five-person motion team. Decides how every brand behaves on screen, then directs the films that prove it.

    Since
    2017
    Leads
    Kinro launch film, Noturna
    Local time
    --:--
  4. Strategy DirectorLondon

    Leads strategy and naming. Spends the first two weeks of every project with customers, then writes the one sentence everything else is checked against.

    Since
    2018
    Leads
    Halfpace, Vulca
    Local time
    --:--

Two rooms, one clock

Lisbon and London keep the same time all year, so nothing is handed over between them. One stand-up, one Thursday review, and every team staffed from both rooms.

Three Orvel designers at the pin-up wall in Clerkenwell, St Paul’s dome in the window

London

--:--Open now

Two floors above a print shop. A six-metre pin-up wall, an edit suite and the long table where Thursday reviews happen.

Address
Unit 4, 31 Great Sutton Street
Clerkenwell, London EC1V 0DX
In the room
22 people
Strategy, identity, web and engineering
Directions
Two Orvel designers in the sunlit Lisbon studio reviewing a red graphic on a monitor

Lisbon

--:--Open now

Third floor in Santos, a street up from the river. Tiled stairwell, a sound booth and the morning light everyone argues over.

Address
Rua da Boavista 72, 3.º
1200-066 Lisboa
In the room
12 people
Design systems, product, motion and 3D
Directions

How we work

  1. Anjali talking a project through at the long table in London

    A partner on every project.

    The person who pitches your project runs it, from the first call to launch. Not a hand-over to whoever happens to be free.

  2. Freya walking guests through pinned work at the Thursday review, Tomás listening

    Thursday is review day.

    Every client sees work every Thursday, finished or not. Nothing waits for a big reveal, so nothing surprises you at the end.

  3. Kayode at the edit desk with a mark mid-turn on screen and on a phone

    The moving version first.

    A new mark is tested on a phone, in motion, before it ever appears in a PDF. If it cannot turn, split and settle, it is not finished.

  4. Tomás writing a line in the decision log at the long table

    Decisions get written down.

    One shared log, one line per decision. Nobody re-opens week three in week nine, including us.

  5. Tomás heading home from the Lisbon studio at blue hour

    Home by six.

    We plan for normal hours. Weekend work is a planning failure, and we treat it like one, starting with the timeline.

Work with us

Two open roles. We hire slowly and keep people: designers here stay six years on average.

  • You will join Kayode’s motion team of five, working across both studios on identities that have to move: marks that turn, launch films, and the small animations that make a product feel finished.

    What you would work on

    • Noturna’s second festival season: titles, idents and wayfinding in motion
    • A launch film for a payments client, from boards to final grade
    • Motion systems for two identities currently in design

    What you will do

    • Lead motion on two or three projects at a time
    • Write motion principles and toolkits clients can actually use
    • Direct 3D and edit freelancers when a project needs them
    • Present your own work at Thursday reviews

    You probably have

    • Five or more years in motion for brands or studios
    • After Effects at a high level, and Blender or Cinema 4D
    • A real feel for typography in motion
    • A portfolio that shows process, not only finals

    What we offer

    • €52,000–€62,000 a year
    • Hybrid: Tuesday to Thursday in the studio
    • 27 days holiday, plus the studio closes from Christmas to New Year
    • €1,500 a year to spend on learning
    • Relocation help if you are moving to Lisbon

    How to apply

    Email a link to your work and a few lines about two projects you would want to talk us through. No cover letter. Send it to jobs@orvel.studio with “Senior motion designer, Lisbon” in the subject line.

    What happens next

    1. A 30-minute call with the lead you would work with
    2. A portfolio conversation with two of the team
    3. A paid half-day task (£300 or €350), never unpaid

    We reply to everyone within ten working days.

  • You will build the sites we design, alongside six other engineers and next to the designers who drew them. We build everything in-house, so what ships is what was designed.

    What you would work on

    • A booking site for a group of small coastal hotels
    • A Shopify relaunch for a running label, with a heavy motion layer
    • A marketing site for a fintech, prototyped in code from week four

    What you will do

    • Build in Astro and Next.js, on Sanity, Shopify or Webflow
    • Own performance and accessibility on every launch
    • Prototype interactions with designers before they are signed off
    • Mentor two mid-level developers

    You probably have

    • Five or more years building production websites
    • TypeScript and CSS you are proud of
    • Experience with GSAP, WebGL or both, or a strong wish to learn
    • Patience for the last ten per cent

    What we offer

    • £68,000–£80,000 a year
    • Hybrid: Tuesday to Thursday in the studio
    • 27 days holiday, plus the studio closes from Christmas to New Year
    • Pension matched to 6%
    • £1,500 a year to spend on learning

    How to apply

    Email a link to your work and a few lines about two projects you would want to talk us through. No cover letter. Send it to jobs@orvel.studio with “Senior front-end developer, London” in the subject line.

    What happens next

    1. A 30-minute call with the lead you would work with
    2. A portfolio conversation with two of the team
    3. A paid half-day task (£300 or €350), never unpaid

    We reply to everyone within ten working days.

Not your role? We keep a folder of portfolios we love and read it first whenever something opens.

jobs@orvel.studio

Come and see the studio.

Visits are on Thursday afternoons, after the review, in either room. Bring the brief or just the question; we will put the kettle on.

Book a visit
  • London--:--

    Unit 4, 31 Great Sutton Street, Clerkenwell, London EC1V 0DX

    Open now

  • Lisbon--:--

    Rua da Boavista 72, 3.º, 1200-066 Lisboa

    Open now

Built by Visuvate